![]() ![]() RapidComposer offers several ways to select chords for the master track or chord progressions including Tonnetz and Circle of Fifths. Color chord buttons by consonance, common notes, tonality or suggestions. Use chord voicings for tracks, phrases or master track chords. Instachord is easy to install and use and has an a user friendly interface. RapidComposer will generate a multi-track composition with chords based on your settings, using your phrases. Which I miss in the current version of Synfire.But we wanted to make sure you get the most out of the plugin so we have made several tutorials that cover installing the plugin and setting it up on different operations systems and DAWs. However, I think that figure rendering should be as transparent a process as possible. This is okay since the resulting figure is transparent to the user and it can be freely edited. To be clear, I don't mind the hidden AI behind figure recognition on import. The Rule-Based Interpretation would only make the system more transparent and manageable. Of course, the current interpretation rules embedded in Synfire could represent the default setting, therefore, the user wouldn't have to modify the rules if s/he feels satisfied with the rendering. I can imagine this would be quite challenging for users and also quite difficult to implement efficiently, however, in my opinion this feature would significantly increase the usability of Synfire. By means of those rules, the user could define the actual rendering of the particular figure symbols in a given harmonic context. Generally, I would prefer if Synfire had some user-configurable system of interpretation rules: Rule-Based Interpretation. In another recent thread ( ) I have described one strange finding about the Horizontal symbols. Regarding the other symbols (Horizontal, Chords, Bass) I still didn't fully get their behaviour in certain harmonic contexts, although the Chords and Bass symbols operate very similarly to the Vertical symbols. The following settings yielded the most predictable results for me: Form -> Priority = Intervals, Range = Open, Inversions = Checked, Voice Leading -> Scope = Full Scale, Look Ahead = None, Strategy = None, Cooperative = Unchecked. Based on my experiments so far, I would say that it is possible to obtain predictable results with the Vertical and with the Arpeggio symbols - assuming that you adjust the Interpretation parameter in a certain way. Regarding the mentioned "unpredictability" of Synfire: I agree with you, the AI embedded in Synfire sometimes behaves like a blackbox which is not very user-friendly (not for me, at least). I assume it is chosen from the catalogue as the nearest vertical scale containing the given chord. Although you can freely choose the superimposed chord (so it doesn't have to be a subchord of the harmonic context) the superimposed vertical scale is actually derived from the original harmonic context and from the chosen chord and you cannot modify it. Yes, I understood it just like you: Superimposition doesn't allow for unlimited polytonality. My vision is the photoshop for music creation with you design in layers of music concepts that stack on one each other and order matters. I have myself been working on a spec for a composition tool for music creation in the abstract. Also I fell like the GUI and workflow is a little disjointed and options overly cluttered. I have been playing with RapidComposer and I like that I feel more connected with the actual renderd midi (I love the generators and variation engine). But when I start looking at phrases and paramaters it feels like rolling weighted dice in the dark. And I have watched numerous videos on youtube and read the manual for Synfire (have not gotten a demo copy yet). It really allows me to play around with chord progression and see them within context of multiple scales/keys (I am not a great keyboardist). ![]() Be able to more acurately predict and understand how/why a phrase (in conjunction with all it parameters) gets rendered into it final midi/absolute form To better grasp how HN and Synfire use the Harmonic context of the moment to do some of its auotmagical stuffĢ. But thought it would be possible in Synfire Pro. I figured Harmony Navigator was limited in these regards. ![]()
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